Writers, After Dark #29: Megan O’Keefe On writing space opera, and unreliable narrators
“The Last Astronaut”: David Wellington on setting horror stories in space When horror, space opera, thrillers and perceptions meet and disagree
Writers, After Dark #27: Chloe Neill On urban fantasy, vampires, and tall ships
Writers, After Dark #26: Daniel Suarez Combining corporate espionage and intrigue with a bit of space opera adventure
“Exit Wounds” is an uneven yet enjoyable anthology Ultimately, the stories don't quite mesh with expectations of theme
Writers, After Dark #25: Michael Moreci Space Opera is a good thing
“The Line Between”: Tosca Lee talks building an apocalyptic thriller When you start a journey on the bleeding edge of an apocalypse
“Two Girls Down”: Louisa Luna on bringing a team together Introducing a new PI team to the thriller space, at 100mph
Writers, After Dark #22: Tasha Suri Of dance magic, Mughal-inspired empires, and paying stories forward
“Two Girls Down” is an almost perfect thrill-ride
Writers, After Dark #21: Alex White Deep space treasure hunters, magic, dark & complex characters... what's not to love?
“Empire of Sand”: New flavors of myths and magic The start of a new fantasy series is epic in scope from the start
Writers, After Dark #20: Dale Bailey About memories, ghosts, and haunted places, both physical and spiritual
Writers, After Dark #19: Amber Fallon Of horror and happiness
