Writers, After Dark #31: Mark Sheldon When serial killers are government-run assets, hijinks ensue
“A Dangerous Man”: Robert Crais on expanding a beloved legacy Talking about characters, their iconic status, and writing novels vs television
Fast-paced “A Dangerous Man” keeps the intensity in high gear Once again, Joe Pike & Elvis Cole deliver action and mystery in breathless fashion
Writers, After Dark #29: Megan O’Keefe On writing space opera, and unreliable narrators
“The Last Astronaut”: David Wellington on setting horror stories in space When horror, space opera, thrillers and perceptions meet and disagree
Writers, After Dark #27: Chloe Neill On urban fantasy, vampires, and tall ships
Writers, After Dark #26: Daniel Suarez Combining corporate espionage and intrigue with a bit of space opera adventure
“Exit Wounds” is an uneven yet enjoyable anthology Ultimately, the stories don't quite mesh with expectations of theme
Writers, After Dark #25: Michael Moreci Space Opera is a good thing
“The Line Between”: Tosca Lee talks building an apocalyptic thriller When you start a journey on the bleeding edge of an apocalypse
“Two Girls Down”: Louisa Luna on bringing a team together Introducing a new PI team to the thriller space, at 100mph
Writers, After Dark #22: Tasha Suri Of dance magic, Mughal-inspired empires, and paying stories forward
“Two Girls Down” is an almost perfect thrill-ride
Writers, After Dark #21: Alex White Deep space treasure hunters, magic, dark & complex characters... what's not to love?
