“Mall #1” opens on a familiar yet new apocalypse Discovering where seeking justice and truth in a dystopian enclave can lead to
Writers, After Dark #32: T. Jefferson Parker For love of the detective genre, the stories keep coming
Writers, After Dark #31: Mark Sheldon When serial killers are government-run assets, hijinks ensue
Writers, After Dark #30: Robert Crais Talking about characters, their iconic status, and writing novels vs television
Fast-paced “A Dangerous Man” keeps the intensity in high gear Once again, Joe Pike & Elvis Cole deliver action and mystery in breathless fashion
Writers, After Dark #29: Megan O’Keefe On writing space opera, and unreliable narrators
Writers, After Dark #28: David Wellington When horror, space opera, thrillers and perceptions meet and disagree
Writers, After Dark #27: Chloe Neill On urban fantasy, vampires, and tall ships
Writers, After Dark #26: Daniel Suarez Combining corporate espionage and intrigue with a bit of space opera adventure
“Exit Wounds” is an uneven yet enjoyable anthology Ultimately, the stories don't quite mesh with expectations of theme
Writers, After Dark #25: Michael Moreci Space Opera is a good thing
Writers, After Dark #24: Tosca Lee Starting a journey at the bleeding edge of the apocalypse
Writers, After Dark #23: Louisa Luna Introducing a new PI team at 100mph
Writers, After Dark #22: Tasha Suri Of dance magic, Mughal-inspired empires, and paying stories forward
- 1
- 2
- 3
- …
- 6
- Next Page »
